Church of God in Christ
COGIC's origins date back to the tense race relations of the 1890s South, an era of widespread lynchings, heated disenfranchisement campaigns, the beginnings of legalized segregation, and the Populist revolt. During this volatile time, a small group of black Baptist preachers in Mississippi began to preach of tangible contact with the divine (the Holy Spirit) that genuine believers could and should experience. They proclaimed that converted believers could experience a state of freedom from sin ("entire sanctification") and that they could be miraculously healed of illnesses and sufferings. These teachings were hallmarks of the nineteenth-century Holiness movement, which spread especially among Baptists, Methodists, and Presbyterians. Other black Baptists in Mississippi found these Holiness teachings heretical and expelled the ministers, who then reorganized themselves and their converts as the "Church of God in Christ."
In 1907 Charles Harrison Mason, a founder and the head of COGIC until his death in 1961; Mack E. Jonas,
During its first twenty-five years, the denomination was interracial in principle and in practice. By the 1920s, COGIC had established twenty-one churches in Georgia, with the new converts likely seeking a more direct, experiential encounter with the divine than was given at the sermon-centered Baptist and Methodist churches from which they came. As was true of other Pentecostal groups, COGIC grew dramatically in the late 1960s and 1970s. By the 1980s, COGIC had more members nationwide than the Presbyterian Church USA and Presbyterian Church in America combined.
James Oglethorpe Patterson, History and Formative Years of the Church of God in Christ (Memphis, Tenn.: Church of God in Christ Pub., 1969).
Grant Wacker, Heaven Below: Early Pentecostals and American Culture (Cambridge, Mass.: Harvard University Press, 2001).
David S. Williams, From Mounds to Megachurches: Georgia's Religious Heritage (Athens: University of Georgia Press, 2008).
John Hayes, University of Georgia
A project of the Georgia Humanities Council, in partnership with the University of Georgia Press, the University System of Georgia/GALILEO, and the Office of the Governor.