The  founder and principal of the Haines Institute in Augusta for fifty years (1883-1933), Lucy Craft Laney is Georgia’s most famous female African American educator. She was born on April 13, 1854, one of ten children, to Louisa and David Laney during slavery. Her parents, however, were not enslaved. David Laney purchased his freedom about twenty years before Laney’s birth; he purchased his wife’s freedom sometime after their marriage. Laney learned to read and write by the age of four and could translate difficult passages in Latin by the age of twelve, including Julius Caesar’s Commentaries on the Gallic War. She attended Lewis (later Ballard) High School in Macon, which was sponsored by the American Missionary Association. In 1869 Laney joined the first class at Atlanta University (later Clark Atlanta University), graduating from the Normal Department (teacher’s training) in 1873. Women were not allowed to take the classics course at Atlanta University at that time, a reality to which Laney reacted with blistering indignation.

Lucy Craft Laney’s Capitol Portrait
Lucy Craft Laney’s Capitol Portrait
Courtesy of Georgia Capitol Museum, University of Georgia Libraries

After teaching in Macon, Savannah, Milledgeville, and Augusta for ten years, “Miss Lucy,” as she was generally known, began her own school in 1883 in the basement of Christ Presbyterian Church in Augusta. The school was chartered by the state three years later and named the Haines Normal and Industrial Institute. Originally Laney intended to admit only girls, but several boys appeared and she could not turn them away. Laney began her lifelong appeal for funding for her school by traveling to a meeting of the General Assembly of the Northern Presbyterian Church in Minneapolis in 1886. She addressed the assembly but received only her fare home. She did, however, obtain the confidence of a lifetime benefactor, Mrs. Francine E. H. Haines, for whom her school was named. By 1912 the Haines Institute employed thirty-four teachers, enrolled 900 students, and offered a fifth year of college preparatory high school in which Laney herself taught Latin. Haines graduates matriculated at Howard, Fisk, Yale, and other prestigious colleges, where they reflected the confidence and pride that Laney and her staff had instilled in their students.

Haines  not only offered its students a holistic approach to education but also served as a cultural center for the African American community. The school hosted orchestra concerts, lectures by nationally famous guests, and various social events. Laney also inaugurated the first kindergarten and created the first nursing training programs for African American women in Augusta.

A black and white photograph of a classroom of Black female students practice sewing by hand. They wear long dresses and are seated around a wood table.
Haines Normal and Industrial Institute
Courtesy of Library of Congress, Prints and Photographs Division

In Augusta Laney helped to found the local National Association for the Advancement of Colored People (NAACP) chapter in 1918, and she was active in the Interracial Commission, the National Association of Colored Women, and the Niagara Movement. She also helped to integrate the community work of the YMCA and YWCA. Her friends and students included Mary McLeod Bethune, Charlotte Hawkins Brown, Nannie Helen Burroughs, W. E. B. Du Bois, Joseph Simeon Flipper, John Hope, Langston Hughes, Mary Jackson McCrorey (the associate principal at Haines from 1896 to 1916), William Scarborough, Martha Schofield, Madame C. J. Walker, Richard R. Wright Sr., and Frank Yerby. Laney died October 23, 1933.

Lucy Craft Laney, the Reverend Henry McNeal Turner, and the Reverend Martin Luther King Jr. were the first African Americans to have their portraits hung in the Georgia state capitol; they were selected by Governor Jimmy Carter in 1974. Laney’s portrait bears tribute to “the mother of the children of the people,” a woman who knew that “God didn’t use any different dirt to make me than the first lady of the land.” She was inducted into Georgia Women of Achievement in 1992.

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Lucy Craft Laney’s Capitol Portrait

Lucy Craft Laney’s Capitol Portrait

Lucy Craft Laney’s portrait, pictured, was the first portrait of an African American woman to be displayed in the Georgia state capitol. It was selected by Governor Jimmy Carter in 1974. Laney was also inducted into the Georgia Women of Achievement in 1992.

Courtesy of Georgia Capitol Museum, University of Georgia Libraries, Capitol Art Collection (Capitol Museum Collection), # 1992.23.0050.

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A black and white photograph of a classroom of Black female students practice sewing by hand. They wear long dresses and are seated around a wood table.

Haines Normal and Industrial Institute

Photographs taken at the Haines Institute, such as this one of a sewing class, were among those displayed at the 1900 Paris Exposition as part of the Exhibit of American Negroes, which aimed to document the lives of Black Americans at the turn of the century. W.E.B. Du Bois and his colleagues compiled over 500 images for the exhibit.

Courtesy of Library of Congress, Prints and Photographs Division, African American Photographs Assembled for 1900 Paris Exposition, #LC-USZ62-132448.

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A sepia portrait of eight Black women in professional dress of varying ages. The first row is seated.

Southeastern Federation of Colored Women’s Clubs

Mary Jackson McCrorey was part of an extensive network of educators and activists. The Southeastern Federation of Colored Women's Clubs, which was founded by Dr. Mary McLeod Bethune in 1920, boasted an impressive list of members, some of whom are seen here.

In the front row, from left to right: Margaret Murray Washington (Mrs. Booker T. Washington), Mary McLeod Bethune, Lucy Craft Laney, and Mary Jackson McCrorey. The back row, from left to right: Janie Porter Barrett, M.L. Crosthwaite, Charlotte Hawkins Brown, and Lugenia Burns Hope. The photo’s seal is from Poole Studio in Atlanta.

Courtesy of the Bethune-Cookman University Archives, Bethune-Cookman University, Daytona Beach, FL., Mary McLeod Bethune Foundation Collection.

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